A Virtual Research Environment for
3D Digital Humanities And Heritage
An edition is an object-based multimodal narrative in 3D

Codex Cospi

The Codex Cospi is one of the few surviving precolonial Mesoamerican manuscripts, making it an invaluable resource for understanding indigenous Mesoamerican culture. The 3D Scholarly Digital Edition of the Codex Cospi was created to consolidate this cultural treasure into an accessible, dynamic, and interactive multimedia resource. In this context, the 3D model of the manuscript serves as both a comprehensive "container" and an interpretative focal point, bringing together various resources to enhance the manuscript experience. Beginning with the 3D model visualisation, users can explore annotations, articles, images, videos, audio, and external links, all of which are functionally interconnected. This seamless integration enables a multi-layered and interconnected study, merging direct engagement with the Codex and its broader contextual insights. The digital representation of the Codex was developed as part of the digital twin for the temporary exhibition The Other Renaissance: Ulisse Aldrovandi, the Wonders of the World. This edition aims to deepen the understanding of a key exhibit piece, allowing it to transcend its role in the wider museum narrative and emerge as the central subject of its own story.

Up to project
voyager versions
0.51.0

Peer review (Single anonymised review)

Reviewer 1:

  • I find the tours to be engaging and interesting. To a large extent, this is due to the extreme value of the artifact and the excitement it causes. The tour adequately represents its overall meaning and value, and it is educating and engaging. I find the piece under review extremely interesting, the tours and texts are well-written, and the whole process enjoyable. 

Reviewer 2:

  • In general, I am very impressed by this edition and learned a lot about a subject I'm not familiar with at all. The many transitions within the tours, highlighting different parts of the model in relation to different annotations and articles, make the edition very engaging in terms of its user experience.

Creators

  • Alice Bordignon, Davide Domenici

Date published

  • 2025-03-24T14:01:57Z

Citation

Alice Bordignon, Davide Domenici. 2025. Codex Cospi. PURE3D. https://editions.pure3d.eu/project/14/edition/1/index.html

Rights

License
CC BY: Attribution required.
Rights holder

University of Bologna

Contact

alice.bordignon2@unibo.it

Keywords

  • codexcospi
  • mesoamerica
  • manti
  • leporello
  • nahua
  • aztecs
  • manuscript

Audience

  • general public
  • museum visitors
  • scholars
  • students

Countries

  • Italy (IT)
  • Mexico (MX)

Place

Bologna, Emilia Romagna, Italy

Period

  • Early modern

Temporal

Late 15th and early 16th centuries

Subjects

  • Anthropology
  • Archaeology
  • Arts
  • Cultural Heritage
  • Religious Objects

Languages

  • English (eng)
  • Italian (ita)

Sources

  • Computer graphic reconstruction

Provenance

MOLAB's non-invasive analytical campaigns (2005 and 2020)

CHANGES project, SPOKE 4, PE 5: The Codex is digitised as part of creating the digital twin of the temporary exhibition "The Other Reinassance: Ulisse Aldrovandi and the Wonders of the World."

PURE3D, Call For New Projects: development of a 3D Scholarly Digital Edition about the Codex Cospi

Content

Scene information

scene.svx.json
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      • articles:
        • (#nmQrZaMZwe34) Introduction:
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            • EN: ''
            • IT: ''
          • taglist:
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            • IT: []
          • titles:
            • EN: Introduction
            • IT: Introduzione
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            • EN: articles/new-article-nmQrZaMZwe34-0.html
            • IT: articles/new-article-nmQrZaMZwe34-IT.html
        • (#gWIqOFee3TTD) Credits:
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            • IT: ''
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            • IT: Riconoscimenti
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            • EN: articles/new-article-gWIqOFee3TTD-0.html
            • IT: articles/new-article-gWIqOFee3TTD-IT.html
        • (#rC8NESzt5bkA) 1.1 The arrival in Bologna in 1533 :
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            • EN: 1.1 The arrival in Bologna in 1533
            • IT: 1.1 L’arrivo a Bologna nel 1533
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        • (#BPBXqDmNZPRN) 1.2 The collection of Ferdinando Cospi :
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            • EN: 1.2 The collection of Ferdinando Cospi
            • IT: 1.2 La collezione di Ferdinando Cospi
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          • titles:
            • EN:1.3 Transfer to the Istituto dell’Accademia delle Scienze in 1742-43
            • IT:1.3 Il trasferimento all’Istituto dell’Accademia delle Scienze nel 1742-43
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            • IT: articles/new-article-OlnRljuT7nZN-IT.html
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            • EN:1.4 Bolognese studies and copies between the 18th and 19th centuries.
            • IT: 1.4 Studi bolognesi e copie tra il XVIII e il XIX secolo
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            • EN: 1.5 At Bologna University Library today
            • IT: 1.5 Oggi alla Biblioteca Universitaria di Bologna
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            • IT: articles/new-article-6A1xxy84LE9N-IT.html
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            • IT: ''
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          • titles:
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            • IT: 2.1 Il «Tonalámatl» o «libro dei destini» e le sue funzioni
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            • IT: articles/new-article-cJZcckVmTwZ5-IT.html
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            • IT: 2.2 Sezioni
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            • IT: articles/new-article-LYJQdzor25nL-IT.html
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            • EN: 2.3 pl. 1-8 (obverse): tonalpohualli o divinatory almanac
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            • IT: articles/new-article-hSBzcD0iSpAf-IT.html
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            • EN: 2.5 pl. 12-13 (obverse): The four temples almanac
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            • IT: articles/new-article-eFc2Qn4UYN1g-IT.html
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            • IT: articles/new-article-1YhuFXi8N4o5-IT.html
        • (#uqrHNxMIQgfd) 3.1 The deerskin support and structure:
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            • EN: 3.1 The deerskin support and structure
            • IT: 3.1 Supporto e struttura
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            • IT: articles/new-article-uqrHNxMIQgfd-IT.html
        • (#feBKKXB3JCZa) 3.2 MOLAB's scientific analysis:
          • id: feBKKXB3JCZa
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          • titles:
            • EN: 3.2 MOLAB's scientific analysis
            • IT: 3.2 Le analisi scientifiche del MOLAB
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            • IT: articles/new-article-feBKKXB3JCZa-IT.html
        • (#0a39BLce4JeU) 3.3 The painting materials:
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            • IT: 3.3 I materiali pittorici
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            • IT: articles/new-article-0a39BLce4JeU-IT.html
        • (#u6Df1otye4cz) 3.4 Indigenous conceptions of the materiality of color:
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          • titles:
            • EN: 3.4 Indigenous conceptions of the materiality of color
            • IT: 3.4 Concezioni indigene della materialità del colore
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        • (#RLuZ2PujYftH) References:
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    • :
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        • intros:
          • EN:Welcome to the 3D Digital Edition of the Codex Cospi! This edition explores three main topics: the history, contents, and materials of one of the few surviving pre-Hispanic Mesoamerican pictorial manuscripts. Please be sure to read the Introduction by clicking on one of the first two icons on the left to learn more about the edition and how to navigate it. The edition is also available in Italian. To change the language, click the round button in the bottom right corner.
          • IT:Benvenuto nell'Edizione Digitale 3D del Codice Cospi! Questa edizione esplora tre temi principali: storia, contenuti e materiali di uno dei pochi manoscritti pittografici mesoamericani preispanici ancora esistenti. Per saperne di più sull'edizione e su come navigarla, si consiglia di leggere l'Introduzione cliccando su una delle prime due icone a sinistra.
        • titles:
          • EN: Codex Cospi
          • IT: Codice Cospi
  6. models:
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        • leads:
          • EN:Each cell contains two images: on the right there is the glyph of one of the twenty day names, while on the left there is the image of one of the nine gods known as the “Night Lords”.
          • IT:Ogni cella contiene due immagini: a destra c'è il glifo di uno dei venti nomi dei giorni, mentre a sinistra c'è l'immagine di una delle nove divinità note come “Signori della Notte”.
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          • IT: [Contenuti]
        • titles:
          • EN: Night Lord: Piltzintecuhtli
          • IT: Signore della Notte: Piltzintecuhtli
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          • IT:Ogni cella corrisponde a un numero implicito di una sequenza ripetuta da 1 a 13, quindi ogni riga contiene 5 trecene, o periodi di 13 giorni.
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          • IT: Numero (implicito) e nome del giorno: 3 Calli (“Casa”)
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          • IT: Date delle possibili levate eliache di Venere
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          • EN:The killing of the maize god caused by the helical rising of Venus would have meant "famine".
          • IT:L'uccisione del dio del mais causata dal sorgere elicoidale di Venere avrebbe assunto il significato di “carestia”.
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          • IT: Cinteotl, il Dio del Mais
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          • IT:Il Signore della Casa dell'Alba (ossia Venere come Stella del Mattino), raffigurato come un letale guerriero scheletrico, scaglia le sue frecce contro diversi esseri o cose.
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          • IT:L'“uccisione” del trono avrebbe segnalato la possibilità di disordini politici.
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          • IT: [Contenuti]
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          • IT: Montagna piena d'acqua
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          • IT: Tonatiuh, il Dio del Sole
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      • (#u8hWRAe6U6ur) Itzlacoliuhqui, the Frost God:
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        • leads:
          • EN: "Curved Obsidian Blade"
          • IT: "Lama di ossidiana ricurva"
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        • titles:
          • EN: Itzlacoliuhqui, the Frost God
          • IT: Itzlacoliuhqui, il Dio del Ghiaccio
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        • visible: 0
      • (#ErIEYZ9KuEQ8) Mictlantecuhtli, Lord of the Place of the Dead :
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          • IT: [Contenuti]
        • titles:
          • EN: Mictlantecuhtli, Lord of the Place of the Dead
          • IT: Mictlantecuhtli, il Signore del Luogo dei Morti
        • viewId: wrI8JB
        • visible: 0
      • (#HBxeRturqhnO) Cinteotl, the Maize God :
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          • IT: [Contenuti]
        • titles:
          • EN: Cinteotl, the Maize God
          • IT: Cinteotl, il Dio del Mais
        • viewId: AU1zWF
        • visible: 0
      • (#JnE2FP5wiqjF) Numerical signs:
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        • direction:
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        • id: JnE2FP5wiqjF
        • leads:
          • EN: A dot corresponds to one unit and a bar corresponds to five
        • position:
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          • -0.0052001
        • scale: 0.03
        • style: Extended
        • taglist:
          • EN: [Contents]
          • IT: [Contenuti]
        • titles:
          • EN: Numerical signs
          • IT: Segni numerici
        • viewId: dQymJ2
        • visible: 0
      • (#ACOo9jUztFVA) Harmful Animal:
        • articleId: 1YhuFXi8N4o5
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        • id: ACOo9jUztFVA
        • imageUri: articles/1_pt4reverse_divinationorofferingtables_A.png
        • leads:
          • EN:First subsection of Divination or offering tables characterised by the presence of harmful animals
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          • -0.0176957
          • 0.0308027
        • scale: 0.0866819
        • style: Extended
        • taglist:
          • EN: [Contents]
          • IT: [Contenuti]
        • titles:
          • EN: Harmful Animal
          • IT: Animali dannosi
        • viewId: dhOxCz
        • visible: 0
      • (#eFBiFKTiMYMa) Snail:
        • articleId: 1YhuFXi8N4o5
        • direction:
          • -0.223142
          • -0.9747781
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        • id: eFBiFKTiMYMa
        • imageUri: articles/1_pt4reverse_divinationorofferingtables_B.png
        • leads:
          • EN:Second subsection of Divination or offering tables characterised by the presence of snails
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        • scale: 0.0866819
        • style: Extended
        • taglist:
          • EN: [Contents]
          • IT: [Contenuti]
        • titles:
          • EN: Snail
          • IT: Lumache
        • viewId: OD6y26
        • visible: 0
      • (#8S7Oe0VuSZRL) Animals of the bush:
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        • direction:
          • -0.0039215
          • -0.9999846
          • -0.0039215
        • id: 8S7Oe0VuSZRL
        • imageUri: articles/1_pt4reverse_divinationorofferingtables_C.png
        • leads:
          • EN:Third subsection of Divination or offering tables characterised by the presence of animals of the bush
        • position:
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        • scale: 0.0866819
        • style: Extended
        • taglist:
          • EN: [Contents]
          • IT: [Contenuti]
        • titles:
          • EN: Animals of the bush
          • IT: Animali del bosco
        • viewId: XwcJlc
        • visible: 0
      • (#QecIzPK9hbPC) Deer skin:
        • color:
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        • direction:
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        • id: QecIzPK9hbPC
        • leads:
          • EN: ''
        • position:
          • 1.0739761
          • -0.0399002
          • -0.0566312
        • scale: 0.0866819
        • style: Extended
        • taglist:
          • EN: [Materials]
          • IT: [Materiali]
        • titles:
          • EN: Deer skin
          • IT: Pelle di cervo
        • viewId: k7S6Gt
        • visible: 0
      • (#wq4j4cewI0PK) Parchment cover:
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        • color:
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        • direction:
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        • id: wq4j4cewI0PK
        • leads:
          • EN: The parchment covers were added to the codex in Bologna
          • IT:Le copertine in pergamena sono state aggiunte al Codice una volta arrivato a Bologna
        • position:
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          • -0.0645582
        • scale: 0.0866819
        • style: Extended
        • taglist:
          • EN: [Materials]
          • IT: [Materiali]
        • titles:
          • EN: Parchment cover
          • IT: Copertura in pergamena
        • viewId: s0giSD
        • visible: 0
      • (#t8C91eQU4mZz) Mezzofanti's portrait:
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        • id: t8C91eQU4mZz
        • imageAltText:
          • EN:Lamma, Antonio, Portrait of the Card. Giuseppe Mezzofanti, 1838, Oil on Canvas, 95x60 cm 
        • imageCredit:
          • EN: © Biblioteca Universitaria di Bologna
          • IT: © Biblioteca Universitaria di Bologna
        • imageUri: articles/3_mezzofantiportrait_detail.png
        • leads:
          • EN:Codice Cospi detail's citation in the portrait of the Card. Giuseppe Mezzofanti, 1838, by Antonio Lamma
          • IT:Dettaglio del Codice Cospi nel ritratto del Card. Giuseppe Mezzofanti, 1838, di Antonio Lamma
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        • taglist:
          • EN: [History]
          • IT: [Storia]
        • titles:
          • EN: Mezzofanti's portrait
          • IT: Ritratto di Mezzofanti
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        • visible: 0
      • (#jPx3vyWKSLjo) Agostino Aglio's facsimile:
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        • id: jPx3vyWKSLjo
        • imageCredit:
          • EN: © The Trustees of the British Museum
        • leads:
          • EN:The tracing was commissioned by Lord Kingsborough and made by Aglio in the years 1825-31.
          • IT:Il tracciato fu commissionato da Lord Kingsborough e realizzato da Aglio negli anni 1825-31.
        • position:
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        • taglist:
          • EN: [History]
          • IT: [Storia]
        • titles:
          • EN: Agostino Aglio's facsimile
          • IT: Facsimile di Agostino Aglio
        • viewId: 5qltkL
        • visible: 0
      • (#qU67sgRfWr1v) Anna Minarelli's watercolor:
        • articleId: 4DjABB9jPcBO
        • color:
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        • direction:
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        • id: qU67sgRfWr1v
        • imageCredit:
          • EN: © Biblioteca dell’Archiginnasio, Bologna
          • IT: © Biblioteca dell’Archiginnasio, Bologna
        • imageUri: articles/3_AnnaMinarelli.jpg
        • leads:
          • EN:Anna Minarelli, copy of the Cospi Codex, ca. 1818
            Archiginnasio Library, Bologna
          • IT:Anna Minarelli, copia del Codice Cospi, 1818 ca.
            Biblioteca dell'Archiginnasio, Bologna
        • position:
          • -1.3434235
          • -0.0616476
          • -0.0049848
        • scale: 0.087
        • style: Circle
        • taglist:
          • EN: [History]
          • IT: [Storia]
        • titles:
          • EN: Anna Minarelli's watercolor
          • IT: Acquarello di Anna Minarelli
        • viewId: 3IpWVf
        • visible: 0
      • (#4gP5NX1lFiw7) Chromophotolithograph facsimile:
        • articleId: 6A1xxy84LE9N
        • color:
          • 0.7607843
          • 0
          • 0.8588235
        • direction:
          • -0.0195607
          • 0.9975943
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        • id: 4gP5NX1lFiw7
        • imageUri: articles/3_chromolitographicfacsimileDuquedeLoubat.jpg
        • leads:
          • EN: Chromophotolithograph copy, Duc de Loubat edition, 1898
          • IT: Copia in cromofotolitografia, edizione Duc de Loubat, 1898
        • position:
          • -1.3115769
          • -0.060275
          • -0.0271298
        • scale: 0.0866819
        • style: Circle
        • taglist:
          • EN: [History]
          • IT: [Storia]
        • titles:
          • EN: Chromophotolithograph facsimile
          • IT: Facsimile di cromofotolitografia
        • visible: 0
      • (#tC9w9aoZFQpd) China or Mexico?:
        • articleId: BPBXqDmNZPRN
        • color:
          • 0.7607843
          • 0
          • 0.8588235
        • direction:
          • 0.0117436
          • -0.9982055
          • -0.058718
        • id: tC9w9aoZFQpd
        • imageCredit:
          • EN: © Libreria Universitaria di Bologna
          • IT: © Libreria Universitaria di Bologna
        • imageUri: articles/3_chinaormexico.png
        • leads:
          • EN:The manuscript was first mentioned as a Chinese book in 1667, and recognized as a Mexican Work in 1677 by Lorenzo Legati
          • IT:Il manoscritto fu menzionato per la prima volta come libro cinese nel 1667 e riconosciuto come opera messicana nel 1677 da Lorenzo Legati.
        • position:
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        • scale: 0.0866819
        • style: Extended
        • taglist:
          • EN: [History]
          • IT: [Storia]
        • titles:
          • EN: China or Mexico?
          • IT: Cina o Messico?
        • viewId: 0lemIH
        • visible: 0
      • (#7EzfjpebVNjl) A special gift:
        • articleId: BPBXqDmNZPRN
        • color:
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          • 0
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        • direction:
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        • id: 7EzfjpebVNjl
        • leads:
          • EN:As the inscription demonstrates, the Codex Cospi was a gift from Valerio Zani to Ferdinando Cospi. "Donato dal" means "gifted by".
          • IT:Come dimostra l'iscrizione, il Codice Cospi fu un dono di Valerio Zani a Ferdinando Cospi.
        • position:
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        • scale: 0.0866819
        • style: Extended
        • taglist:
          • EN: [History]
          • IT: [Storia]
        • titles:
          • EN: A special gift
          • IT: Un dono speciale
        • viewId: SQ4UkS
        • visible: 0
      • (#bHuSWjO9Ket8) Museo Cospiano:
        • articleId: BPBXqDmNZPRN
        • color:
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        • direction:
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        • id: bHuSWjO9Ket8
        • imageUri: articles/3_museocospianoDetail.png
        • leads:
          • EN: Detail of Codex Cospi on Museo Cospiano (1677)
          • IT: Particolare del Codice Cospi al Museo Cospiano (1677)
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        • scale: 0.0866819
        • style: Circle
        • taglist:
          • EN: [History]
          • IT: [Storia]
        • titles:
          • EN: Museo Cospiano
          • IT: Museo Cospiano
        • viewId: ZdSGRw
        • visible: 0
      • (#fUgd0BFSn3nZ) Cochineal:
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        • color:
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        • direction:
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        • id: fUgd0BFSn3nZ
        • imageAltText:
          • EN: Cochineal analysis
          • IT: Cochineal analysis
        • imageCredit:
          • EN: © CNR-ISPC
          • IT: © CNR-ISPC
        • imageUri: articles/2_cochineal%20map.jpg
        • leads:
          • EN:Hyperspectral map in the visible light spectral range of cochineal lacquer (areas highlighted in red)
          • IT:Mappa iperspettrale nell'intervallo spettrale della luce visibile della lacca di cocciniglia (aree evidenziate in rosso)
        • position:
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        • scale: 0.0866819
        • style: Extended
        • taglist:
          • EN: [Materials]
          • IT: [Materiali]
        • titles:
          • EN: Cochineal
          • IT: Cocciniglia
        • viewId: 6IfF4P
        • visible: 0
      • (#0xFvzDMS6PQb) Gypsum:
        • articleId: 0a39BLce4JeU
        • color:
          • 0
          • 0.854902
          • 0.454902
        • direction:
          • 0.2154842
          • -0.9755558
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        • id: 0xFvzDMS6PQb
        • leads:
          • EN: ''
        • position:
          • 0.8494553
          • -0.056663
          • -0.0736589
        • scale: 0.0866819
        • style: Extended
        • taglist:
          • EN: [Materials]
          • IT: [Materiali]
        • titles:
          • EN: Gypsum
          • IT: Gesso
        • viewId: pbeAdd
        • visible: 0
      • (#9fd0Q567MVZ5) Carbon-based black:
        • articleId: 0a39BLce4JeU
        • color:
          • 0
          • 0.854902
          • 0.454902
        • direction:
          • 0.2855508
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        • id: 9fd0Q567MVZ5
        • leads:
          • EN: ''
        • position:
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          • -0.0490724
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        • scale: 0.0866819
        • taglist:
          • EN: [Materials]
          • IT: [Materiali]
        • titles:
          • EN: Carbon-based black
          • IT: Nero a base di carbonio
        • viewId: o0AH2l
        • visible: 0
      • (#l2RyMjVHja1A) Orpiment:
        • articleId: 0a39BLce4JeU
        • color:
          • 0
          • 0.854902
          • 0.454902
        • direction:
          • -0.2855508
          • -0.9583556
          • -0.0039117
        • id: l2RyMjVHja1A
        • imageCredit:
          • EN: © CNR-ISPC
          • IT: © CNR-ISPC
        • imageUri: articles/2_arsenic%20map%202.jpg
        • leads:
          • EN:XRF map of arsenic distribution that is indicative of the distribution and use of orpiment (yellow arsenic mineral pigment)
          • IT:Mappa XRF della distribuzione di arsenico che è indicativa della distribuzione e utilizzo dell'orpimento (pigmento giallo minerale a base di arsenico)
        • position:
          • 1.8321595
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        • scale: 0.04
        • style: Extended
        • taglist:
          • EN: [Materials]
          • IT: [Materiali]
        • titles:
          • EN: Orpiment
          • IT: Orpimento
        • viewId: onQgk0
        • visible: 0
      • (#ou6UBpQdkCxa) Maya blue:
        • articleId: 0a39BLce4JeU
        • color:
          • 0
          • 0.854902
          • 0.454902
        • direction:
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          • -0.9583556
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        • id: ou6UBpQdkCxa
        • imageCredit:
          • EN: ©CNR-ISPC
          • IT: ©CNR-ISPC
        • imageUri: articles/2_maya%20blue%20map.jpg
        • leads:
          • EN:Hyperspectral map in the visible light spectral range of Maya blue (blue areas) and map of Maya blue mixed with orpiment (green areas)
          • IT:Mappa iperspettrale nell'intervallo spettrale della luce visibile del blu Maya (aree blu) e mappa del blu maya mescolato con orpimento (aree verdi)
        • position:
          • 1.8316338
          • -0.0487095
          • 0.0486585
        • scale: 0.0866819
        • style: Extended
        • taglist:
          • EN: [Materials]
          • IT: [Materiali]
        • titles:
          • EN: Maya blue
          • IT: Blue Maya
        • viewId: QksMdM
        • visible: 0
      • (#vEd06SKCoTu1) Green:
        • articleId: 0a39BLce4JeU
        • color:
          • 0
          • 0.854902
          • 0.454902
        • direction:
          • -0.208186
          • -0.9780814
          • -0.003928
        • id: vEd06SKCoTu1
        • leads:
          • EN: Maya blue + Orpiment
          • IT: Blue Maya + Orpimento
        • position:
          • 1.0142661
          • -0.0273477
          • 0.029339
        • scale: 0.03
        • style: Extended
        • taglist:
          • EN: [Materials]
          • IT: [Materiali]
        • titles:
          • EN: Green
          • IT: Verde
        • viewId: rXDypk
        • visible: 0
      • (#0i4v2T32iOON) Gypsum:
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        • color:
          • 0
          • 0.854902
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        • direction:
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          • 0.9604742
          • -0.0039203
        • id: 0i4v2T32iOON
        • leads:
          • EN: ''
        • position:
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          • -0.0262693
          • -0.0522974
        • scale: 0.05
        • taglist:
          • EN: [Materials]
          • IT: [Materiali]
        • titles:
          • EN: Gypsum
          • IT: Gesso
        • viewId: YvylyC
        • visible: 0
      • (#1KTa9ZmhH61g) Carbon-based black:
        • articleId: 0a39BLce4JeU
        • color:
          • 0
          • 0.854902
          • 0.454902
        • direction:
          • -0.0039215
          • 0.9999846
          • -0.0039215
        • id: 1KTa9ZmhH61g
        • leads:
          • EN: ''
        • position:
          • 0.5319194
          • -0.0628014
          • 0.0451243
        • scale: 0.0866819
        • style: Extended
        • taglist:
          • EN: [Materials]
          • IT: [Materiali]
        • titles:
          • EN: Carbon-based black
          • IT: Nero a base di carbonio
        • viewId: BjSDdJ
        • visible: 0
      • (#mRZ8ebZnDRs0) Orange:
        • color:
          • 0
          • 0.854902
          • 0.454902
        • direction:
          • -0.0039215
          • 0.9999846
          • -0.0039215
        • id: mRZ8ebZnDRs0
        • leads:
          • EN:On the yellow-orange areas of obverse there are three different emissions: 513 nm, 544 nm, 566 nm.Spectra show that orange is not made by a mixture of red and yellow dye but specific dye with this hue
        • position:
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          • -0.0628014
          • -0.0653827
        • scale: 0.0866819
        • style: Extended
        • taglist:
          • EN: [Materials]
          • IT: [Materiali]
        • titles:
          • EN: Orange
          • IT: Arancione
        • viewId: 14T1so
        • visible: 0
      • (#KHF7nZmE98Ug) Green:
        • articleId: 0a39BLce4JeU
        • color:
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          • 0.854902
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        • direction:
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          • 0.9604742
          • -0.0039203
        • id: KHF7nZmE98Ug
        • leads:
          • EN: Maya blue + organic dyes
          • IT: Blue Maya + Argille Organiche
        • position:
          • 0.2438289
          • -0.0233908
          • -0.0531015
        • scale: 0.03
        • style: Extended
        • taglist:
          • EN: [Materials]
          • IT: [Materiali]
        • titles:
          • EN: Green
          • IT: Verde
        • viewId: 8ienOg
        • visible: 0
      • (#ZTsfCTfq3sbU) Pale yellow:
        • articleId: 0a39BLce4JeU
        • color:
          • 0
          • 0.854902
          • 0.454902
        • direction:
          • -0.0039215
          • 0.9999846
          • -0.0039215
        • id: ZTsfCTfq3sbU
        • leads:
          • EN:Organic dyes + clays. On the yellow-orange areas of obverse there are tree different emissions: at 513 nm (orange), 544 nm (pale yellow), 566 nm (dark yellow).
        • position:
          • 0.5487388
          • -0.0628014
          • -0.0187719
        • scale: 0.0866819
        • style: Extended
        • taglist:
          • EN: [Materials]
          • IT: [Materiali]
        • titles:
          • EN: Pale yellow
          • IT: Giallo pallido
        • viewId: m3V5js
        • visible: 0
      • (#P9dGCI6lSywL) Dark yellow:
        • articleId: 0a39BLce4JeU
        • color:
          • 0
          • 0.854902
          • 0.454902
        • direction:
          • -0.0039215
          • 0.9999846
          • -0.0039215
        • id: P9dGCI6lSywL
        • leads:
          • EN:Organic dyes + clays. On the yellow-orange areas of obverse there are tree different emissions: at 513 nm (orange), 544 nm (pale yellow), 566 nm (dark yellow).
          • IT:Coloranti organici + argille. Sulle aree giallo-arancio del dritto sono presenti tre diverse emissioni: a 513 nm (arancione), 544 nm (giallo pallido), 566 nm (giallo scuro).
        • position:
          • 0.506978
          • -0.0628014
          • -0.0643794
        • scale: 0.0866819
        • style: Extended
        • taglist:
          • EN: [Materials]
          • IT: [Materiali]
        • titles:
          • EN: Dark yellow
          • IT: Giallo scuro
        • viewId: 1OZ0tc
        • visible: 0
      • (#4B7jutU048vs) Maya blue:
        • articleId: 0a39BLce4JeU
        • color:
          • 0
          • 0.854902
          • 0.454902
        • direction:
          • -0.4361737
          • 0.8998539
          • -0.0039295
        • id: 4B7jutU048vs
        • imageAltText:
          • EN: Blue Maya Map
        • imageCredit:
          • EN: © CNR-ISPC
        • leads:
          • EN: ''
        • position:
          • -0.1395682
          • -0.0231762
          • 0.0429537
        • scale: 0.0866819
        • taglist:
          • EN: [Materials]
          • IT: [Materiali]
        • titles:
          • EN: Maya blue
          • IT: Blue Maya
        • viewId: rrBwLE
        • visible: 0
    • boundingBox:
      • max:
        • 1.7530096
        • 0.0595102
        • 0.093545
      • min:
        • -1.7081903
        • -0.028363
        • -0.0918465
    • derivatives:
    • :
      • assets:
      • :
        • mimeType: model/gltf-binary
        • type: Model
        • uri: CodiceCospi.glb
      • quality: High
      • usage: Web3D
    • translation:
      • 0.311089
      • -0.0391872
      • -0.0008348
    • units: m
  8. nodes:
    • (Camera):
      • camera: 0
      • name: Camera
      • rotation:
        • -0.6473548
        • -0.0002418
        • -0.0002054
        • 0.7621887
      • translation:
        • 0.2389869
        • 1.5201147
        • 0.1824484
    • (Lights):
      • children:
        • 2
        • 3
        • 4
        • 5
      • name: Lights
      • rotation:
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    • tape:
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    • tours:
      • Introduction:
        • leads:
          • EN: About the edition
          • IT: Dettagli sull'edizione
        • steps:
          • (#j8jP7m) Welcome!:
            • id: j8jP7m
            • titles:
              • EN: Welcome!
              • IT: Benvenuti e benvenute!
          • (#ZfiLOD) Credits:
            • id: ZfiLOD
            • titles:
              • EN: Credits
              • IT: Riconoscimenti
          • (#vhEJcQ) Enjoy!:
            • id: vhEJcQ
            • titles:
              • EN: Enjoy!
              • IT: Buona esplorazione!
        • taglist:
          • EN: []
          • IT: []
        • titles:
          • EN: Introduction
          • IT: Introduzione
      • History of the manuscript:
        • leads:
          • EN:The tour focuses on the history of the object and its journey from Mesoamerica to the University Library of Bologna, where it is now preserved.
          • IT:Il tour si focalizza sulla storia del manoscritto e sul suo viaggio dalla Mesoamerica alla Biblioteca Universitaria di Bologna, dove è conservato oggi.
        • steps:
          • (#U79GQC) History of the manuscript:
            • id: U79GQC
            • titles:
              • EN: History of the manuscript
              • IT: Storia del manoscritto
          • (#0OqJhX) Once upon a time...:
            • id: 0OqJhX
            • titles:
              • EN: Once upon a time...
              • IT: C'era una volta...
          • (#q8TNmn) Once upon a time...:
            • id: q8TNmn
            • titles:
              • EN: Once upon a time...
              • IT: C'era una volta...
          • (#glb9xQ) The collection of Ferdinando Cospi:
            • id: glb9xQ
            • titles:
              • EN: The collection of Ferdinando Cospi
              • IT: La collezione di Ferdinando Cospi
          • (#5xYwQ4) The collection of Ferdinando Cospi:
            • id: 5xYwQ4
            • titles:
              • EN: The collection of Ferdinando Cospi
              • IT: La collezione di Ferdinando
          • (#JsLfhA) China or Mexico?:
            • id: JsLfhA
            • titles:
              • EN: China or Mexico?
              • IT: Cina o Messico?
          • (#fxqE2C) A nice gift:
            • id: fxqE2C
            • titles:
              • EN: A nice gift
              • IT: Un regalo incredibile
          • (#GejA9B) Overview:
            • id: GejA9B
            • titles:
              • EN: Overview
              • IT: Panoramica
          • (#FRZGRz) Transfer to the Instituto dell'Accademia delle Scienze in 1742-1743:
            • id: FRZGRz
            • titles:
              • EN:Transfer to the Instituto dell'Accademia delle Scienze in 1742-1743
              • IT:Trasferimento all’Istituto dell’Accademia delle Scienze nel 1742-43
          • (#CVt4gT) An inspiring manuscript:
            • id: CVt4gT
            • titles:
              • EN: An inspiring manuscript
              • IT: Il Codice Cospi: una fonte di ispirazione per molti
          • (#1BXSMP) Bolognese studies and copies between the 18th and 19th centuries:
            • id: 1BXSMP
            • titles:
              • EN:Bolognese studies and copies between the 18th and 19th centuries
              • IT: Studi bolognesi e copie tra il XVIII e il XIX secolo
          • (#or8MeA) Anna Minarelli's watercolor:
            • id: or8MeA
            • titles:
              • EN: Anna Minarelli's watercolor
              • IT: Acquerello di Anna Minarelli
          • (#sCGCmB) Mezzofanti's portrait - detail:
            • id: sCGCmB
            • titles:
              • EN: Mezzofanti's portrait - detail
              • IT: Dettaglio del Ritratto di Mezzofanti
          • (#76iGw3) Agostino Aglio's facsimile:
            • id: 76iGw3
            • titles:
              • EN: Agostino Aglio's facsimile
              • IT: Il facsimile di Agostino Aglio
          • (#90vale) At Bologna University Library today:
            • id: 90vale
            • titles:
              • EN: At Bologna University Library today
              • IT: Oggi alla Biblioteca Universitaria di Bologna
          • (#mBRX5n) Chromophotolithography facsimile:
            • id: mBRX5n
            • titles:
              • EN: Chromophotolithography facsimile
              • IT: Facsimile di cromofotolitografia
          • (#DITQMI) Overview:
            • id: DITQMI
            • titles:
              • EN: Overview
              • IT: Panoramica
          • (#51D9kD) References:
            • id: 51D9kD
            • titles:
              • EN: References
              • IT: Fonti
        • taglist:
          • EN: []
          • IT: []
        • titles:
          • EN: History of the manuscript
          • IT: Storia del manoscritto
      • Contents:
        • leads:
          • EN:The tour covers aspects related to the interpretation of the manuscript’s contents based on research conducted to date.
          • IT:Il tour presenta gli aspetti legati all'interpretazione dei contenuti del manoscritto sulla base delle ricerche condotte fino ad oggi.
        • steps:
          • (#OVR9ky) Intro to Codex Cospi:
            • id: OVR9ky
            • titles:
              • EN: Intro to Codex Cospi
              • IT: Introduzione al Codice Cospi
          • (#R8S1GS) Tonalamatl, the book of destinies:
            • id: R8S1GS
            • titles:
              • EN: Tonalamatl, the book of destinies
              • IT: Il «Tonalámatl» o «libro dei destini»
          • (#GesUqn) Sections:
            • id: GesUqn
            • titles:
              • EN: Sections
              • IT: Sezioni
          • (#GcupU6) Sections:
            • id: GcupU6
            • titles:
              • EN: Sections
              • IT: Sezioni
          • (#p8rx8J) Sections:
            • id: p8rx8J
            • titles:
              • EN: Sections
              • IT: Sezioni
          • (#J5rXFg) Tonalpohualli o divinatory almanac:
            • id: J5rXFg
            • titles:
              • EN: Tonalpohualli o divinatory almanac
              • IT: Tonalpohualli, o almanacco divinatorio
          • (#ztF8uU) Tonalpohualli o divinatory almanac:
            • id: ztF8uU
            • titles:
              • EN: Tonalpohualli o divinatory almanac
              • IT: Tonalpohualli, o almanacco divinatorio
          • (#mtcWio) Detail 1:
            • id: mtcWio
            • titles:
              • EN: Detail 1
              • IT: Dettaglio 1
          • (#thNOzz) Detail 2:
            • id: thNOzz
            • titles:
              • EN: Detail 2
              • IT: Dettaglio 2
          • (#OZB1Lz) Cells:
            • id: OZB1Lz
            • titles:
              • EN: Cells
              • IT: Celle
          • (#HYgA2t) The Venus Almanac:
            • id: HYgA2t
            • titles:
              • EN: The Venus Almanac
              • IT: L’almanacco di Venere
          • (#PTeEVh) The Venus Almanac:
            • id: PTeEVh
            • titles:
              • EN: The Venus Almanac
              • IT: L’almanacco di Venere
          • (#7jYMpd) The Venus Almanac:
            • id: 7jYMpd
            • titles:
              • EN: The Venus Almanac
              • IT: L’almanacco di Venere
          • (#kYj6th) Dates of Possible heliacal rising of venus:
            • id: kYj6th
            • titles:
              • EN: Dates of Possible heliacal rising of venus
              • IT: Date delle possibili levate eliache di Venere
          • (#ISB9mb) Lord of the house of dawn:
            • id: ISB9mb
            • titles:
              • EN: Lord of the house of dawn
              • IT: Signore della Casa dell’Alba
          • (#JbdQtU) The Water Goddess:
            • id: JbdQtU
            • titles:
              • EN: The Water Goddess
              • IT: Chalchiuhtlicue, la dea dell’acqua
          • (#TfVfof) The Maze God:
            • id: TfVfof
            • titles:
              • EN: The Maze God
              • IT: Cinteotl, il Dio del Mais
          • (#ah0L6g) Water-filled mountain:
            • id: ah0L6g
            • titles:
              • EN: Water-filled mountain
              • IT: Montagna piena d'acqua
          • (#ShFhoK) Throne:
            • id: ShFhoK
            • titles:
              • EN: Throne
              • IT: Trono
          • (#G2CDLT) Jaguar:
            • id: G2CDLT
            • titles:
              • EN: Jaguar
              • IT: Giaguaro
          • (#GT7pr9) The Four Temples Almanac:
            • id: GT7pr9
            • titles:
              • EN: The Four Temples Almanac
              • IT: L’almanacco dei quattro templi
          • (#XK55z2) The Four Temples Almanac:
            • id: XK55z2
            • titles:
              • EN: The Four Temples Almanac
              • IT: L’almanacco dei quattro templi
          • (#tFaeVR) Characters:
            • id: tFaeVR
            • titles:
              • EN: Characters
              • IT: Personaggi
          • (#KEpmg1) The Frost God:
            • id: KEpmg1
            • titles:
              • EN: The Frost God
              • IT: Itzlacoliuhqui, il Dio del Ghiaccio
          • (#TyLWQ9) The God of the Sun:
            • id: TyLWQ9
            • titles:
              • EN: The God of the Sun
              • IT: Tonatiuh, il Dio del Sole
          • (#cfLxu6) Lord of the Place of the Dead:
            • id: cfLxu6
            • titles:
              • EN: Lord of the Place of the Dead
              • IT: Mictlantecuhtli, il Signore del Luogo dei Morti
          • (#p4jNNv) The Maize God:
            • id: p4jNNv
            • titles:
              • EN: The Maize God
              • IT: Cinteotl, il Dio del Mais
          • (#szgtZS) Divination or offering tables:
            • id: szgtZS
            • titles:
              • EN: Divination or offering tables
              • IT: Tavole divinatorie o delle offerte
          • (#SbtCRE) Divination or offering tables:
            • id: SbtCRE
            • titles:
              • EN: Divination or offering tables
              • IT: Tavole divinatorie o delle offerte
          • (#q1lKo9) Annotations:
            • id: q1lKo9
            • titles:
              • EN: Annotations
              • IT: Annotazioni
          • (#5St2Gq) Harmful animal:
            • id: 5St2Gq
            • titles:
              • EN: Harmful animal
              • IT: Animali Dannosi
          • (#JAP1s8) Snail:
            • id: JAP1s8
            • titles:
              • EN: Snail
              • IT: Lumache
          • (#pJlc4b) Animals of the bush:
            • id: pJlc4b
            • titles:
              • EN: Animals of the bush
              • IT: Animali del bosco
          • (#6jsmln) Numerical Signs:
            • id: 6jsmln
            • titles:
              • EN: Numerical Signs
              • IT: Segni numerici
          • (#uRQlcK) Overview:
            • id: uRQlcK
            • titles:
              • EN: Overview
              • IT: Panoramica
          • (#pYvTzF) References:
            • id: pYvTzF
            • titles:
              • EN: References
              • IT: Fonti
        • taglist:
          • EN: []
          • IT: []
        • titles:
          • EN: Contents
          • IT: Contenuti
      • Materials:
        • leads:
          • EN:The tour provides information about the material composition of the manuscript, informed by non-invasive analyses using innovative technologies conducted thus far.
          • IT:Il tour fornisce informazioni sulla composizione materiale del manoscritto ottenute alla luce delle analisi non invasive condotte tramite l'utilizzo di tecnologie innovative.
        • steps:
          • (#Heb4y1) Leporello structure:
            • id: Heb4y1
            • titles:
              • EN: Leporello structure
              • IT: Struttura a leporello
          • (#k0Wyh4) The deerskin support and structure:
            • id: k0Wyh4
            • titles:
              • EN: The deerskin support and structure
              • IT: Supporto e struttura
          • (#LqzSQX) Leporello structure: overview:
            • id: LqzSQX
            • titles:
              • EN: Leporello structure: overview
              • IT: Panoramica struttura a leporello
          • (#Pn914Q) Parchment covers:
            • id: Pn914Q
            • titles:
              • EN: Parchment covers
              • IT: Copertura in pergamena
          • (#006oSb) MOLAB's scientific analysis:
            • id: 006oSb
            • titles:
              • EN: MOLAB's scientific analysis
              • IT: Le analisi scientifiche del MOLAB
          • (#j3wIhW) The painting materials - obverse:
            • id: j3wIhW
            • titles:
              • EN: The painting materials - obverse
              • IT: I materiali pittorici - recto
          • (#pce7F5) The painting materials:
            • id: pce7F5
            • titles:
              • EN: The painting materials
              • IT: I materiali pittorici
          • (#pip7UK) The painting materials - reverse:
            • id: pip7UK
            • titles:
              • EN: The painting materials - reverse
              • IT: I materiali pittorici - verso
          • (#7aWewr) Cochineal:
            • id: 7aWewr
            • titles:
              • EN: Cochineal
              • IT: Cocciniglia
          • (#mEuOoU) Gypsum:
            • id: mEuOoU
            • titles:
              • EN: Gypsum
              • IT: Gesso
          • (#iHpyRe) Green - reverse:
            • id: iHpyRe
            • titles:
              • EN: Green - reverse
              • IT: Verde
          • (#EER2Uo) Maya blue:
            • id: EER2Uo
            • titles:
              • EN: Maya blue
              • IT: Blue Maya
          • (#OL5GRs) Orpiment:
            • id: OL5GRs
            • titles:
              • EN: Orpiment
              • IT: Orpimento
          • (#Ohlp0J) Yellow:
            • id: Ohlp0J
            • titles:
              • EN: Yellow
              • IT: Giallo
          • (#iuewTY) Carbon-based black:
            • id: iuewTY
            • titles:
              • EN: Carbon-based black
              • IT: Nero a base di carbonio
          • (#4rhdWx) Green - obverse:
            • id: 4rhdWx
            • titles:
              • EN: Green - obverse
              • IT: Verde - recto
          • (#VyQcvn) Materiality of colors:
            • id: VyQcvn
            • titles:
              • EN: Materiality of colors
              • IT: Materialità del colore
          • (#PerOaK) Materiality of colors:
            • id: PerOaK
            • titles:
              • EN: Materiality of colors
              • IT: Materialità del colore
          • (#WWJnk6) End:
            • id: WWJnk6
            • titles:
              • EN: End
              • IT: Overview
          • (#8j3MzL) New Step #5:
            • id: 8j3MzL
            • titles:
              • EN: New Step #5
              • IT: Fonti
        • taglist:
          • EN: []
          • IT: []
        • titles:
          • EN: Materials
          • IT: Materiali
    • units: cm
    • viewer:
      • arScale: 1
      • exposure: 1
      • gamma: 2
      • isWallMountAR: 0
      • shader: Default
      • toneMapping: 0
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