Creators
- Alice Bordignon, Davide Domenici
Date published
- 2025-12-12T07:50:51Z
Citation
Alice Bordignon, Davide Domenici. 2025. Codex Cospi. PURE3D. https://editions.pure3d.eu/project/14/edition/1/index.html
Rights
- License
- CC BY: Attribution required.
- Rights holder
University of Bologna
- Contact
alice.bordignon2@unibo.it
Keywords
- codexcospi
- mesoamerica
- manti
- leporello
- nahua
- aztecs
- manuscript
Audience
- general public
- museum visitors
- scholars
- students
Countries
- Italy (IT)
- Mexico (MX)
Place
Bologna, Emilia Romagna, Italy
Period
- Early modern
Temporal
Late 15th and early 16th centuries
Subjects
- Anthropology
- Archaeology
- Arts
- Cultural Heritage
- Religious Objects
Languages
- English (eng)
- Italian (ita)
Sources
- Computer graphic reconstruction
Provenance
MOLAB's non-invasive analytical campaigns (2005 and 2020)
CHANGES project, SPOKE 4, PE 5: The Codex is digitised as part of creating the digital twin of the temporary exhibition "The Other Reinassance: Ulisse Aldrovandi and the Wonders of the World."
PURE3D, Call For New Projects: development of a 3D Scholarly Digital Edition about the Codex Cospi
Content
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Introduzione
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2.2 Sezioni
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2.3 pl. 1-8 (obverse): tonalpohualli o divinatory almanac IT:
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3.1 Supporto e struttura
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3.2 Le analisi scientifiche del MOLAB
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3.3 I materiali pittorici
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3.4 Concezioni indigene della materialità del colore
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(#RLuZ2PujYftH) References:
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References - IT:
Fonti
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Welcome to the 3D Digital Edition of the Codex Cospi! This edition explores three main topics: the history, contents, and materials of one of the few surviving pre-Hispanic Mesoamerican pictorial manuscripts. Please be sure to read the Introduction by clicking on one of the first two icons on the left to learn more about the edition and how to navigate it. The edition is also available in Italian. To change the language, click the round button in the bottom right corner.IT:
Benvenuto nell'Edizione Digitale 3D del Codice Cospi! Questa edizione esplora tre temi principali: storia, contenuti e materiali di uno dei pochi manoscritti pittografici mesoamericani preispanici ancora esistenti. Per saperne di più sull'edizione e su come navigarla, si consiglia di leggere l'Introduzione cliccando su una delle prime due icone a sinistra.
titles:
- EN:
Codex Cospi - IT:
Codice Cospi
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Each cell contains two images: on the right there is the glyph of one of the twenty day names, while on the left there is the image of one of the nine gods known as the “Night Lords”.IT:
Ogni cella contiene due immagini: a destra c'è il glifo di uno dei venti nomi dei giorni, mentre a sinistra c'è l'immagine di una delle nove divinità note come “Signori della Notte”.
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First subsection of Divination or offering tables characterised by the presence of harmful animals
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Second subsection of Divination or offering tables characterised by the presence of snails
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Contents] - IT: [
Contenuti]
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titles:
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Snail - IT:
Lumache
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(#8S7Oe0VuSZRL) Animals of the bush:
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Third subsection of Divination or offering tables characterised by the presence of animals of the bush
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Animals of the bush - IT:
Animali del bosco
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(#QecIzPK9hbPC) Deer skin:
color:
00.85882350.4588235
direction:
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- id:
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''
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Deer skin - IT:
Pelle di cervo
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The parchment covers were added to the codex in Bologna IT:
Le copertine in pergamena sono state aggiunte al Codice una volta arrivato a Bologna
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Materiali]
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Parchment cover - IT:
Copertura in pergamena
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(#t8C91eQU4mZz) Mezzofanti's portrait:
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Lamma, Antonio, Portrait of the Card. Giuseppe Mezzofanti, 1838, Oil on Canvas, 95x60 cm
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© Biblioteca Universitaria di Bologna - IT:
© Biblioteca Universitaria di Bologna
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- imageUri:
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EN:
Codice Cospi detail's citation in the portrait of the Card. Giuseppe Mezzofanti, 1838, by Antonio LammaIT:
Dettaglio del Codice Cospi nel ritratto del Card. Giuseppe Mezzofanti, 1838, di Antonio Lamma
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Mezzofanti's portrait - IT:
Ritratto di Mezzofanti
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(#jPx3vyWKSLjo) Agostino Aglio's facsimile:
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© The Trustees of the British Museum
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leads:
EN:
The tracing was commissioned by Lord Kingsborough and made by Aglio in the years 1825-31.IT:
Il tracciato fu commissionato da Lord Kingsborough e realizzato da Aglio negli anni 1825-31.
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Agostino Aglio's facsimile - IT:
Facsimile di Agostino Aglio
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© Biblioteca dell’Archiginnasio, Bologna - IT:
© Biblioteca dell’Archiginnasio, Bologna
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- imageUri:
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EN:
Anna Minarelli, copy of the Cospi Codex, ca. 1818
Archiginnasio Library, BolognaIT:
Anna Minarelli, copia del Codice Cospi, 1818 ca.
Biblioteca dell'Archiginnasio, Bologna
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Anna Minarelli's watercolor - IT:
Acquarello di Anna Minarelli
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Chromophotolithograph copy, Duc de Loubat edition, 1898 - IT:
Copia in cromofotolitografia, edizione Duc de Loubat, 1898
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© Libreria Universitaria di Bologna - IT:
© Libreria Universitaria di Bologna
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EN:
The manuscript was first mentioned as a Chinese book in 1667, and recognized as a Mexican Work in 1677 by Lorenzo LegatiIT:
Il manoscritto fu menzionato per la prima volta come libro cinese nel 1667 e riconosciuto come opera messicana nel 1677 da Lorenzo Legati.
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As the inscription demonstrates, the Codex Cospi was a gift from Valerio Zani to Ferdinando Cospi. "Donato dal" means "gifted by".IT:
Come dimostra l'iscrizione, il Codice Cospi fu un dono di Valerio Zani a Ferdinando Cospi.
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Detail of Codex Cospi on Museo Cospiano (1677) - IT:
Particolare del Codice Cospi al Museo Cospiano (1677)
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Cochineal analysis - IT:
Cochineal analysis
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imageCredit:
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© CNR-ISPC - IT:
© CNR-ISPC
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- imageUri:
articles/2_cochineal%20map.jpg leads:
EN:
Hyperspectral map in the visible light spectral range of cochineal lacquer (areas highlighted in red)IT:
Mappa iperspettrale nell'intervallo spettrale della luce visibile della lacca di cocciniglia (aree evidenziate in rosso)
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Cochineal - IT:
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''
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© CNR-ISPC - IT:
© CNR-ISPC
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- imageUri:
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XRF map of arsenic distribution that is indicative of the distribution and use of orpiment (yellow arsenic mineral pigment)IT:
Mappa XRF della distribuzione di arsenico che è indicativa della distribuzione e utilizzo dell'orpimento (pigmento giallo minerale a base di arsenico)
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©CNR-ISPC - IT:
©CNR-ISPC
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EN:
Hyperspectral map in the visible light spectral range of Maya blue (blue areas) and map of Maya blue mixed with orpiment (green areas)IT:
Mappa iperspettrale nell'intervallo spettrale della luce visibile del blu Maya (aree blu) e mappa del blu maya mescolato con orpimento (aree verdi)
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Maya blue - IT:
Blue Maya
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Maya blue + Orpiment - IT:
Blue Maya + Orpimento
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1.0142661-0.02734770.029339
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''
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Gypsum - IT:
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''
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Materiali]
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Carbon-based black - IT:
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(#mRZ8ebZnDRs0) Orange:
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00.8549020.454902
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On the yellow-orange areas of obverse there are three different emissions: 513 nm, 544 nm, 566 nm.Spectra show that orange is not made by a mixture of red and yellow dye but specific dye with this hue
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Orange - IT:
Arancione
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Maya blue + organic dyes - IT:
Blue Maya + Argille Organiche
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Green - IT:
Verde
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(#ZTsfCTfq3sbU) Pale yellow:
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Organic dyes + clays. On the yellow-orange areas of obverse there are tree different emissions: at 513 nm (orange), 544 nm (pale yellow), 566 nm (dark yellow).
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Pale yellow - IT:
Giallo pallido
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Organic dyes + clays. On the yellow-orange areas of obverse there are tree different emissions: at 513 nm (orange), 544 nm (pale yellow), 566 nm (dark yellow).IT:
Coloranti organici + argille. Sulle aree giallo-arancio del dritto sono presenti tre diverse emissioni: a 513 nm (arancione), 544 nm (giallo pallido), 566 nm (giallo scuro).
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Dark yellow - IT:
Giallo scuro
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Blue Maya Map
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© CNR-ISPC
- EN:
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Maya blue - IT:
Blue Maya
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tape:
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0
- enabled:
tours:
Introduction:
leads:
- EN:
About the edition - IT:
Dettagli sull'edizione
- EN:
steps:
(#j8jP7m) Welcome!:
- id:
j8jP7m titles:
- EN:
Welcome! - IT:
Benvenuti e benvenute!
- EN:
- id:
(#ZfiLOD) Credits:
- id:
ZfiLOD titles:
- EN:
Credits - IT:
Riconoscimenti
- EN:
- id:
(#vhEJcQ) Enjoy!:
- id:
vhEJcQ titles:
- EN:
Enjoy! - IT:
Buona esplorazione!
- EN:
- id:
taglist:
- EN:
[] - IT:
[]
- EN:
titles:
- EN:
Introduction - IT:
Introduzione
- EN:
History of the manuscript:
leads:
EN:
The tour focuses on the history of the object and its journey from Mesoamerica to the University Library of Bologna, where it is now preserved.IT:
Il tour si focalizza sulla storia del manoscritto e sul suo viaggio dalla Mesoamerica alla Biblioteca Universitaria di Bologna, dove è conservato oggi.
steps:
(#U79GQC) History of the manuscript:
- id:
U79GQC titles:
- EN:
History of the manuscript - IT:
Storia del manoscritto
- EN:
- id:
(#0OqJhX) Once upon a time...:
- id:
0OqJhX titles:
- EN:
Once upon a time... - IT:
C'era una volta...
- EN:
- id:
(#q8TNmn) Once upon a time...:
- id:
q8TNmn titles:
- EN:
Once upon a time... - IT:
C'era una volta...
- EN:
- id:
(#glb9xQ) The collection of Ferdinando Cospi:
- id:
glb9xQ titles:
- EN:
The collection of Ferdinando Cospi - IT:
La collezione di Ferdinando Cospi
- EN:
- id:
(#5xYwQ4) The collection of Ferdinando Cospi:
- id:
5xYwQ4 titles:
- EN:
The collection of Ferdinando Cospi - IT:
La collezione di Ferdinando
- EN:
- id:
(#JsLfhA) China or Mexico?:
- id:
JsLfhA titles:
- EN:
China or Mexico? - IT:
Cina o Messico?
- EN:
- id:
(#fxqE2C) A nice gift:
- id:
fxqE2C titles:
- EN:
A nice gift - IT:
Un regalo incredibile
- EN:
- id:
(#GejA9B) Overview:
- id:
GejA9B titles:
- EN:
Overview - IT:
Panoramica
- EN:
- id:
(#FRZGRz) Transfer to the Instituto dell'Accademia delle Scienze in 1742-1743:
- id:
FRZGRz titles:
EN:
Transfer to the Instituto dell'Accademia delle Scienze in 1742-1743IT:
Trasferimento all’Istituto dell’Accademia delle Scienze nel 1742-43
- id:
(#CVt4gT) An inspiring manuscript:
- id:
CVt4gT titles:
- EN:
An inspiring manuscript - IT:
Il Codice Cospi: una fonte di ispirazione per molti
- EN:
- id:
(#1BXSMP) Bolognese studies and copies between the 18th and 19th centuries:
- id:
1BXSMP titles:
EN:
Bolognese studies and copies between the 18th and 19th centuries- IT:
Studi bolognesi e copie tra il XVIII e il XIX secolo
- id:
(#or8MeA) Anna Minarelli's watercolor:
- id:
or8MeA titles:
- EN:
Anna Minarelli's watercolor - IT:
Acquerello di Anna Minarelli
- EN:
- id:
(#sCGCmB) Mezzofanti's portrait - detail:
- id:
sCGCmB titles:
- EN:
Mezzofanti's portrait - detail - IT:
Dettaglio del Ritratto di Mezzofanti
- EN:
- id:
(#76iGw3) Agostino Aglio's facsimile:
- id:
76iGw3 titles:
- EN:
Agostino Aglio's facsimile - IT:
Il facsimile di Agostino Aglio
- EN:
- id:
(#90vale) At Bologna University Library today:
- id:
90vale titles:
- EN:
At Bologna University Library today - IT:
Oggi alla Biblioteca Universitaria di Bologna
- EN:
- id:
(#mBRX5n) Chromophotolithography facsimile:
- id:
mBRX5n titles:
- EN:
Chromophotolithography facsimile - IT:
Facsimile di cromofotolitografia
- EN:
- id:
(#DITQMI) Overview:
- id:
DITQMI titles:
- EN:
Overview - IT:
Panoramica
- EN:
- id:
(#51D9kD) References:
- id:
51D9kD titles:
- EN:
References - IT:
Fonti
- EN:
- id:
taglist:
- EN:
[] - IT:
[]
- EN:
titles:
- EN:
History of the manuscript - IT:
Storia del manoscritto
- EN:
Contents:
leads:
EN:
The tour covers aspects related to the interpretation of the manuscript’s contents based on research conducted to date.IT:
Il tour presenta gli aspetti legati all'interpretazione dei contenuti del manoscritto sulla base delle ricerche condotte fino ad oggi.
steps:
(#OVR9ky) Intro to Codex Cospi:
- id:
OVR9ky titles:
- EN:
Intro to Codex Cospi - IT:
Introduzione al Codice Cospi
- EN:
- id:
(#R8S1GS) Tonalamatl, the book of destinies:
- id:
R8S1GS titles:
- EN:
Tonalamatl, the book of destinies - IT:
Il «Tonalámatl» o «libro dei destini»
- EN:
- id:
(#GesUqn) Sections:
- id:
GesUqn titles:
- EN:
Sections - IT:
Sezioni
- EN:
- id:
(#GcupU6) Sections:
- id:
GcupU6 titles:
- EN:
Sections - IT:
Sezioni
- EN:
- id:
(#p8rx8J) Sections:
- id:
p8rx8J titles:
- EN:
Sections - IT:
Sezioni
- EN:
- id:
(#J5rXFg) Tonalpohualli o divinatory almanac:
- id:
J5rXFg titles:
- EN:
Tonalpohualli o divinatory almanac - IT:
Tonalpohualli, o almanacco divinatorio
- EN:
- id:
(#ztF8uU) Tonalpohualli o divinatory almanac:
- id:
ztF8uU titles:
- EN:
Tonalpohualli o divinatory almanac - IT:
Tonalpohualli, o almanacco divinatorio
- EN:
- id:
(#mtcWio) Detail 1:
- id:
mtcWio titles:
- EN:
Detail 1 - IT:
Dettaglio 1
- EN:
- id:
(#thNOzz) Detail 2:
- id:
thNOzz titles:
- EN:
Detail 2 - IT:
Dettaglio 2
- EN:
- id:
(#OZB1Lz) Cells:
- id:
OZB1Lz titles:
- EN:
Cells - IT:
Celle
- EN:
- id:
(#HYgA2t) The Venus Almanac:
- id:
HYgA2t titles:
- EN:
The Venus Almanac - IT:
L’almanacco di Venere
- EN:
- id:
(#PTeEVh) The Venus Almanac:
- id:
PTeEVh titles:
- EN:
The Venus Almanac - IT:
L’almanacco di Venere
- EN:
- id:
(#7jYMpd) The Venus Almanac:
- id:
7jYMpd titles:
- EN:
The Venus Almanac - IT:
L’almanacco di Venere
- EN:
- id:
(#kYj6th) Dates of Possible heliacal rising of venus:
- id:
kYj6th titles:
- EN:
Dates of Possible heliacal rising of venus - IT:
Date delle possibili levate eliache di Venere
- EN:
- id:
(#ISB9mb) Lord of the house of dawn:
- id:
ISB9mb titles:
- EN:
Lord of the house of dawn - IT:
Signore della Casa dell’Alba
- EN:
- id:
(#JbdQtU) The Water Goddess:
- id:
JbdQtU titles:
- EN:
The Water Goddess - IT:
Chalchiuhtlicue, la dea dell’acqua
- EN:
- id:
(#TfVfof) The Maze God:
- id:
TfVfof titles:
- EN:
The Maze God - IT:
Cinteotl, il Dio del Mais
- EN:
- id:
(#ah0L6g) Water-filled mountain:
- id:
ah0L6g titles:
- EN:
Water-filled mountain - IT:
Montagna piena d'acqua
- EN:
- id:
(#ShFhoK) Throne:
- id:
ShFhoK titles:
- EN:
Throne - IT:
Trono
- EN:
- id:
(#G2CDLT) Jaguar:
- id:
G2CDLT titles:
- EN:
Jaguar - IT:
Giaguaro
- EN:
- id:
(#GT7pr9) The Four Temples Almanac:
- id:
GT7pr9 titles:
- EN:
The Four Temples Almanac - IT:
L’almanacco dei quattro templi
- EN:
- id:
(#XK55z2) The Four Temples Almanac:
- id:
XK55z2 titles:
- EN:
The Four Temples Almanac - IT:
L’almanacco dei quattro templi
- EN:
- id:
(#tFaeVR) Characters:
- id:
tFaeVR titles:
- EN:
Characters - IT:
Personaggi
- EN:
- id:
(#KEpmg1) The Frost God:
- id:
KEpmg1 titles:
- EN:
The Frost God - IT:
Itzlacoliuhqui, il Dio del Ghiaccio
- EN:
- id:
(#TyLWQ9) The God of the Sun:
- id:
TyLWQ9 titles:
- EN:
The God of the Sun - IT:
Tonatiuh, il Dio del Sole
- EN:
- id:
(#cfLxu6) Lord of the Place of the Dead:
- id:
cfLxu6 titles:
- EN:
Lord of the Place of the Dead - IT:
Mictlantecuhtli, il Signore del Luogo dei Morti
- EN:
- id:
(#p4jNNv) The Maize God:
- id:
p4jNNv titles:
- EN:
The Maize God - IT:
Cinteotl, il Dio del Mais
- EN:
- id:
(#szgtZS) Divination or offering tables:
- id:
szgtZS titles:
- EN:
Divination or offering tables - IT:
Tavole divinatorie o delle offerte
- EN:
- id:
(#SbtCRE) Divination or offering tables:
- id:
SbtCRE titles:
- EN:
Divination or offering tables - IT:
Tavole divinatorie o delle offerte
- EN:
- id:
(#q1lKo9) Annotations:
- id:
q1lKo9 titles:
- EN:
Annotations - IT:
Annotazioni
- EN:
- id:
(#5St2Gq) Harmful animal:
- id:
5St2Gq titles:
- EN:
Harmful animal - IT:
Animali Dannosi
- EN:
- id:
(#JAP1s8) Snail:
- id:
JAP1s8 titles:
- EN:
Snail - IT:
Lumache
- EN:
- id:
(#pJlc4b) Animals of the bush:
- id:
pJlc4b titles:
- EN:
Animals of the bush - IT:
Animali del bosco
- EN:
- id:
(#6jsmln) Numerical Signs:
- id:
6jsmln titles:
- EN:
Numerical Signs - IT:
Segni numerici
- EN:
- id:
(#uRQlcK) Overview:
- id:
uRQlcK titles:
- EN:
Overview - IT:
Panoramica
- EN:
- id:
(#pYvTzF) References:
- id:
pYvTzF titles:
- EN:
References - IT:
Fonti
- EN:
- id:
taglist:
- EN:
[] - IT:
[]
- EN:
titles:
- EN:
Contents - IT:
Contenuti
- EN:
Materials:
leads:
EN:
The tour provides information about the material composition of the manuscript, informed by non-invasive analyses using innovative technologies conducted thus far.IT:
Il tour fornisce informazioni sulla composizione materiale del manoscritto ottenute alla luce delle analisi non invasive condotte tramite l'utilizzo di tecnologie innovative.
steps:
(#Heb4y1) Leporello structure:
- id:
Heb4y1 titles:
- EN:
Leporello structure - IT:
Struttura a leporello
- EN:
- id:
(#k0Wyh4) The deerskin support and structure:
- id:
k0Wyh4 titles:
- EN:
The deerskin support and structure - IT:
Supporto e struttura
- EN:
- id:
(#LqzSQX) Leporello structure: overview:
- id:
LqzSQX titles:
- EN:
Leporello structure: overview - IT:
Panoramica struttura a leporello
- EN:
- id:
(#Pn914Q) Parchment covers:
- id:
Pn914Q titles:
- EN:
Parchment covers - IT:
Copertura in pergamena
- EN:
- id:
(#006oSb) MOLAB's scientific analysis:
- id:
006oSb titles:
- EN:
MOLAB's scientific analysis - IT:
Le analisi scientifiche del MOLAB
- EN:
- id:
(#j3wIhW) The painting materials - obverse:
- id:
j3wIhW titles:
- EN:
The painting materials - obverse - IT:
I materiali pittorici - recto
- EN:
- id:
(#pce7F5) The painting materials:
- id:
pce7F5 titles:
- EN:
The painting materials - IT:
I materiali pittorici
- EN:
- id:
(#pip7UK) The painting materials - reverse:
- id:
pip7UK titles:
- EN:
The painting materials - reverse - IT:
I materiali pittorici - verso
- EN:
- id:
(#7aWewr) Cochineal:
- id:
7aWewr titles:
- EN:
Cochineal - IT:
Cocciniglia
- EN:
- id:
(#mEuOoU) Gypsum:
- id:
mEuOoU titles:
- EN:
Gypsum - IT:
Gesso
- EN:
- id:
(#iHpyRe) Green - reverse:
- id:
iHpyRe titles:
- EN:
Green - reverse - IT:
Verde
- EN:
- id:
(#EER2Uo) Maya blue:
- id:
EER2Uo titles:
- EN:
Maya blue - IT:
Blue Maya
- EN:
- id:
(#OL5GRs) Orpiment:
- id:
OL5GRs titles:
- EN:
Orpiment - IT:
Orpimento
- EN:
- id:
(#Ohlp0J) Yellow:
- id:
Ohlp0J titles:
- EN:
Yellow - IT:
Giallo
- EN:
- id:
(#iuewTY) Carbon-based black:
- id:
iuewTY titles:
- EN:
Carbon-based black - IT:
Nero a base di carbonio
- EN:
- id:
(#4rhdWx) Green - obverse:
- id:
4rhdWx titles:
- EN:
Green - obverse - IT:
Verde - recto
- EN:
- id:
(#VyQcvn) Materiality of colors:
- id:
VyQcvn titles:
- EN:
Materiality of colors - IT:
Materialità del colore
- EN:
- id:
(#PerOaK) Materiality of colors:
- id:
PerOaK titles:
- EN:
Materiality of colors - IT:
Materialità del colore
- EN:
- id:
(#WWJnk6) End:
- id:
WWJnk6 titles:
- EN:
End - IT:
Overview
- EN:
- id:
(#8j3MzL) New Step #5:
- id:
8j3MzL titles:
- EN:
New Step #5 - IT:
Fonti
- EN:
- id:
taglist:
- EN:
[] - IT:
[]
- EN:
titles:
- EN:
Materials - IT:
Materiali
- EN:
- units:
cm viewer:
- arScale:
1 - exposure:
1 - gamma:
2 - isWallMountAR:
0 - shader:
Default - toneMapping:
0
- arScale:


