P3D |

voyager versions

0.51.0

0.46.1

0.43.0

Creators

Manon Lamy
Florence Bodson

Date published

2025-02-11T10:28:49Z

Citation

Manon Lamy, Florence Bodson. 2025. Funko Pop! n°82: Sansa Stark . PURE3D. https://editions.pure3d.eu/project/13/edition/12/index.html

Rights

License: CC BY: Attribution required.
Rights holder: Maastricht University
Contact: pure3d-fasos[at]maastrichtuniversity.nl

Keywords

toys
collecting
Funko Pop!
Game of Thrones
gender roles
nostalgia
3D digitisation process

Audience

general public
students (secondary)
students (university)

Countries

United States of America (US)

Period

Contemporary

Temporal

1998 to present

Subjects

Consumer Goods
Film and media

Languages

English (eng)

Sources

Photogrammetry

Provenance

Made for the Toys with Voice Project for the 2023/2024 Creating Digital Collections Course as part of the Masters in Media Studies: Digital Cultures at Maastricht University.

Content

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    (#qaRPw7YHGSTy) Game of Thrones:
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    Game of Thrones is an American fantasy TV series that is set in medieval times. In the show we find noble houses such as the Starks in the North, the Lannisters in Westeros, the Baratheons at first holding the Iron throne, and the Targaryens who once reigned with dragons. As the title of the series suggests, over 8 seasons we follow the battle between the houses to win the Iron Throne and thus reign.
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    (#hpYwVC5TQ41j) Women in the fantasy genre:
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    This particular sexual violence seen in the Game of Thrones universe is considered typical for the fantasy genre. Indeed, in today’s context, these violent scenes have almost become a normalized and often gratuitous element in recent fantasy stories. It points out that sexual violence is frequently used in these fictional worlds, with graphic scenes of rape and assault becoming increasingly common (Peres, 2022).
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    EN: Women in the fantasy genre
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    The Funko Pop franchise was founded in 1998 by Mike Becker, which initially focused on creating vinyl figures of nostalgic characters such as big boy. However, it was in 2005 that Funko made a significant mark in the toy industry by releasing its first series of Pop! Vinyl figures.
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    EN: Funko Pop and its History
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    The toys produced by Funko Pop are known for their generic and famous features like big heads and black eyes, which contribute to their distinctions. However, a subtle yet significant difference exists between male and female figurines, particularly in the design of their eyes.
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    In recent years there has been a significant rise in the popularity of the representation of TV/movie characters in toy form. Toys like Funko Pop! Vinyl figurines have become a staple; from movies, TV shows, video games and other areas of pop culture (ArToys, 2023).
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    As explored previously, we form emotional connections to characters that we see on television and having these characters made into toys and objects evokes a form of nostalgia when we see them. The market of toys and toy collectibles thrives on the feeling of nostalgia (Escurignan, 2017).
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    (#cE8NHfDF5mIg) Historical Context:
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    “The medieval setting that George R. R. Martin has created is an important feature of his successful series A Song of Ice and Fire and of Game of Thrones, the television series based on it. Martin taps into the popularity of fantasy novels that use aspects of the Western European Middle Ages.” (Polack, 2017, 251)
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    As previously highlighted, the fictional world of Westeros featured in Game of Thrones is inspired by late Medieval England. This world reiterates the traditional role of the woman, specifically the character of Sansa Starks highlights the challenges faced by women in these mediaeval times (Alesi, 2017).
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    (#RQAepn0AjUX8) Feminism:
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    “The series Game of Thrones depicts a number of powerful women who exercise remarkable agency in determining their own fates” (Mares, 2017, 147). From characters such as Cersei Lannister, a victim of circumstances since her birth or Daenerys Targaryen, a girl merely used by her family for political gain, despite the conflict that separates them these women are yet similar in many ways.
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    (#fcg36prVnwWI) Costumes and their Symbolism - Part 1:
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    Lead costume designer for Game of Thrones, Michele Clapton subtly used costumes throughout the show that were loaded with symbolism. Indeed, that is not something that would be picked up on at first glance but once you dissect the costumes within their context you would be able to see the significance of the costumes.
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    The coronation dress, as seen on the Funko Pop indicated the sum of her experiences throughout the show as well as her new status (Hosein, 2020). In her coronation scene she is seen wearing a corset made of metal. It is a nod back to the leather corset that she wore in earlier seasons, but also reflects that Sansa is protecting herself, even with this new status she has as Queen in the North.
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    (#j3SZPPT370wV) One final look back :
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    In this article, we will take one final look back at the last two tours. Throughout these tours, we have brought meaning and context into what could have been considered a “simple” toy. We began this journey by exploring how toys and objects are often influenced by media such as TV series, movies, and gaming. In this case, we started with a presentation of the worldwide famous TV show Game of Thrones which due to its popularity quickly became a reference in pop culture.
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    (#GKd4II9TZAKX) About the authors :
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    We are Manon and Florence, two master’s students at Maastricht University. We created this 3D scholarly edition of a Sansa Stark Funko Pop! as part of our module Creating Digital Collections. Whilst previous years focused on museum collections our year group focused on creating digital collections as part of a larger collection called Toys with Voice.
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    The digitization of the Funko Pop Sansa Stark was a long and thorough project filled with upside-downs. The goal of this course is to create a digital collection with 3D models at its centre by considering the ethical, methodological, theoretical, and practical issues regarding collecting, representation, reconstruction, and reproduction.
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    The process of creating this 3D scholarly edition began with the digitalisation of the Funko Pop. We started the process by discussing as a team how we would go ahead with the 3D digitisation process. Florence and I gathered again to take the photos of our Funko Pop but after processing the photos into Metashape we realised that our photos hadn’t aligned which meant that we needed to re take our photos.
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    EN: Looking Back: Manon's Reflection on the 3D Process
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    (#pPlXBUx7xG4e) Bibliography:
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    These are the references used for the first and second tours.
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With its generic and famous big head, the Funko Pop have the recipe for guaranteed success. But they're not all that common... In fact, there are a few differences here ...
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tours:
Funko Pop Phenomenon - Capturing the essence of TV/ Movie Characters into Toys:
leads:
EN:
This first tour introduces the topic of the Game of Thrones universe, the Funko Pop franchise and its history, the packaging, the difference between male and female figurines, the representation of TV movie characters into toys and objects, and finally the concept of nostalgia as a marketing tool.
steps:
(#ZaGgBO) Game of Thrones:
id: ZaGgBO
titles:
EN: Game of Thrones
(#1H5YvT) Women in the fantasy genre:
id: 1H5YvT
titles:
EN: Women in the fantasy genre
(#NHDizt) Funko Pop and its History:
id: NHDizt
titles:
EN: Funko Pop and its History
(#qny8IZ) Measurement of the Funko Pop!:
id: qny8IZ
titles:
EN: Measurement of the Funko Pop!
(#o0bbwZ) The packaging:
id: o0bbwZ
titles:
EN: The packaging
(#VC7kG9) Trademark and Copyright:
id: VC7kG9
titles:
EN: Trademark and Copyright
(#gagn4T) Serial Number:
id: gagn4T
titles:
EN: Serial Number
(#XBo28G) Male vs. female Funko Pop!:
id: XBo28G
titles:
EN: Male vs. female Funko Pop!
(#45QXVg) Almond-shaped eyes:
id: 45QXVg
titles:
EN: Almond-shaped eyes
(#nkdabc) Rise of TV/Movies Representation in Toy Forms :
id: nkdabc
titles:
EN: Rise of TV/Movies Representation in Toy Forms
(#TnGbe3) Nostalgia:
id: TnGbe3
titles:
EN: Nostalgia
(#KYkEA9) End of Tour:
id: KYkEA9
titles:
EN: End of Tour
taglist:
EN: []
titles:
EN:
Funko Pop Phenomenon - Capturing the essence of TV/ Movie Characters into Toys
From Innocence to Empowerment - the significance of Sansa Stark’s costumes in Game of Thrones :
leads:
EN:
In this second tour, we begin with the historical and cultural background of the toy, we present the important concept of Feminism and finally, we take a closer look into the symbolism behind the costumes worn by the character.
steps:
(#Q7DYkG) Historical context:
id: Q7DYkG
titles:
EN: Historical context
(#tJHWbb) Cultural context:
id: tJHWbb
titles:
EN: Cultural context
(#caSTlw) Feminism:
id: caSTlw
titles:
EN: Feminism
(#BGYSKR) Direwolf Crown:
id: BGYSKR
titles:
EN: Direwolf Crown
(#yQa808) Costumes and their Symbolism Part 1:
id: yQa808
titles:
EN: Costumes and their Symbolism Part 1
(#4OEeeQ) Metal Bodice:
id: 4OEeeQ
titles:
EN: Metal Bodice
(#cqDmcv) Costumes and their Symbolism Part 2:
id: cqDmcv
titles:
EN: Costumes and their Symbolism Part 2
(#E1EPvu) Sansa's Cape:
id: E1EPvu
titles:
EN: Sansa's Cape
(#t8U6sl) Red-beaded Weirwood Leaves:
id: t8U6sl
titles:
EN: Red-beaded Weirwood Leaves
(#ufVCVf) One final look back:
id: ufVCVf
titles:
EN: One final look back
(#iTqLn6) End of Tour:
id: iTqLn6
titles:
EN: End of Tour
taglist:
EN: []
titles:
EN:
From Innocence to Empowerment - the significance of Sansa Stark’s costumes in Game of Thrones
Behind the scenes of the process :
leads:
EN:
In this final tour, we will take the opportunity to introduce ourselves as the authors of this project. Furthermore, we will go behind the scenes of this 3D process and further explore our reflections throughout this course.
steps:
(#ToO3Jp) About the authors :
id: ToO3Jp
titles:
EN: About the authors
(#UYYLWo) Reflection of the scholarly process - Florence:
id: UYYLWo
titles:
EN: Reflection of the scholarly process - Florence
(#pu4vVI) Looking Back: Manon's Reflection on the 3D Process:
id: pu4vVI
titles:
EN: Looking Back: Manon's Reflection on the 3D Process
(#0OVJLh) Bibliography :
id: 0OVJLh
titles:
EN: Bibliography
taglist:
EN: []
titles:
EN: Behind the scenes of the process
units: cm
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Table of Models

DCU_4012_Sansa.glb
- scene.svx.json - 1 x

Table of Articles

Table of Media

Table of link(s) with missing target

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scene-image-low.jpg
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