Creators
- Manon Lamy
- Florence Bodson
Date published
- 2025-02-11T10:28:49Z
Citation
Manon Lamy, Florence Bodson. 2025. Funko Pop! n°82: Sansa Stark
. PURE3D. https://editions.pure3d.eu/project/13/edition/12/index.html
Rights
- License
- CC BY: Attribution required.
- Rights holder
Maastricht University
- Contact
pure3d-fasos[at]maastrichtuniversity.nl
Keywords
- toys
- collecting
- Funko Pop!
- Game of Thrones
- gender roles
- nostalgia
- 3D digitisation process
Audience
- general public
- students (secondary)
- students (university)
Countries
- United States of America (US)
Period
- Contemporary
Temporal
1998 to present
Subjects
- Consumer Goods
- Film and media
Languages
- English (eng)
Sources
- Photogrammetry
Provenance
Made for the Toys with Voice Project for the 2023/2024 Creating Digital Collections Course as part of the Masters in Media Studies: Digital Cultures at Maastricht University.
Content
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Game of Thrones is an American fantasy TV series that is set in medieval times. In the show we find noble houses such as the Starks in the North, the Lannisters in Westeros, the Baratheons at first holding the Iron throne, and the Targaryens who once reigned with dragons. As the title of the series suggests, over 8 seasons we follow the battle between the houses to win the Iron Throne and thus reign.
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This particular sexual violence seen in the Game of Thrones universe is considered typical for the fantasy genre. Indeed, in today’s context, these violent scenes have almost become a normalized and often gratuitous element in recent fantasy stories. It points out that sexual violence is frequently used in these fictional worlds, with graphic scenes of rape and assault becoming increasingly common (Peres, 2022).
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The Funko Pop franchise was founded in 1998 by Mike Becker, which initially focused on creating vinyl figures of nostalgic characters such as big boy. However, it was in 2005 that Funko made a significant mark in the toy industry by releasing its first series of Pop! Vinyl figures.
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Typically, each Funko Pop comes in a clear plastic box that allows collectors to display their figurines while keeping them protected from dust and damage. This packaging is usually very important for collectors, almost as much as the figurine itself due to the multiple information displayed.
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“The medieval setting that George R. R. Martin has created is an important feature of his successful series A Song of Ice and Fire and of Game of Thrones, the television series based on it. Martin taps into the popularity of fantasy novels that use aspects of the Western European Middle Ages.” (Polack, 2017, 251)
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As previously highlighted, the fictional world of Westeros featured in Game of Thrones is inspired by late Medieval England. This world reiterates the traditional role of the woman, specifically the character of Sansa Starks highlights the challenges faced by women in these mediaeval times (Alesi, 2017).
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Lead costume designer for Game of Thrones, Michele Clapton subtly used costumes throughout the show that were loaded with symbolism. Indeed, that is not something that would be picked up on at first glance but once you dissect the costumes within their context you would be able to see the significance of the costumes.
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In this article, we will take one final look back at the last two tours. Throughout these tours, we have brought meaning and context into what could have been considered a “simple” toy. We began this journey by exploring how toys and objects are often influenced by media such as TV series, movies, and gaming. In this case, we started with a presentation of the worldwide famous TV show Game of Thrones which due to its popularity quickly became a reference in pop culture.
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The digitization of the Funko Pop Sansa Stark was a long and thorough project filled with upside-downs. The goal of this course is to create a digital collection with 3D models at its centre by considering the ethical, methodological, theoretical, and practical issues regarding collecting, representation, reconstruction, and reproduction.
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The process of creating this 3D scholarly edition began with the digitalisation of the Funko Pop. We started the process by discussing as a team how we would go ahead with the 3D digitisation process. Florence and I gathered again to take the photos of our Funko Pop but after processing the photos into Metashape we realised that our photos hadn’t aligned which meant that we needed to re take our photos.
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These are the references used for the first and second tours.
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tours:
Funko Pop Phenomenon - Capturing the essence of TV/ Movie Characters into Toys:
leads:
EN:
This first tour introduces the topic of the Game of Thrones universe, the Funko Pop franchise and its history, the packaging, the difference between male and female figurines, the representation of TV movie characters into toys and objects, and finally the concept of nostalgia as a marketing tool.
steps:
(#ZaGgBO) Game of Thrones:
- id:
ZaGgBO titles:
- EN:
Game of Thrones
- EN:
- id:
(#1H5YvT) Women in the fantasy genre:
- id:
1H5YvT titles:
- EN:
Women in the fantasy genre
- EN:
- id:
(#NHDizt) Funko Pop and its History:
- id:
NHDizt titles:
- EN:
Funko Pop and its History
- EN:
- id:
(#qny8IZ) Measurement of the Funko Pop!:
- id:
qny8IZ titles:
- EN:
Measurement of the Funko Pop!
- EN:
- id:
(#o0bbwZ) The packaging:
- id:
o0bbwZ titles:
- EN:
The packaging
- EN:
- id:
(#VC7kG9) Trademark and Copyright:
- id:
VC7kG9 titles:
- EN:
Trademark and Copyright
- EN:
- id:
(#gagn4T) Serial Number:
- id:
gagn4T titles:
- EN:
Serial Number
- EN:
- id:
(#XBo28G) Male vs. female Funko Pop!:
- id:
XBo28G titles:
- EN:
Male vs. female Funko Pop!
- EN:
- id:
(#45QXVg) Almond-shaped eyes:
- id:
45QXVg titles:
- EN:
Almond-shaped eyes
- EN:
- id:
(#nkdabc) Rise of TV/Movies Representation in Toy Forms :
- id:
nkdabc titles:
- EN:
Rise of TV/Movies Representation in Toy Forms
- EN:
- id:
(#TnGbe3) Nostalgia:
- id:
TnGbe3 titles:
- EN:
Nostalgia
- EN:
- id:
(#KYkEA9) End of Tour:
- id:
KYkEA9 titles:
- EN:
End of Tour
- EN:
- id:
taglist:
- EN:
[]
- EN:
titles:
EN:
Funko Pop Phenomenon - Capturing the essence of TV/ Movie Characters into Toys
From Innocence to Empowerment - the significance of Sansa Stark’s costumes in Game of Thrones :
leads:
EN:
In this second tour, we begin with the historical and cultural background of the toy, we present the important concept of Feminism and finally, we take a closer look into the symbolism behind the costumes worn by the character.
steps:
(#Q7DYkG) Historical context:
- id:
Q7DYkG titles:
- EN:
Historical context
- EN:
- id:
(#tJHWbb) Cultural context:
- id:
tJHWbb titles:
- EN:
Cultural context
- EN:
- id:
(#caSTlw) Feminism:
- id:
caSTlw titles:
- EN:
Feminism
- EN:
- id:
(#BGYSKR) Direwolf Crown:
- id:
BGYSKR titles:
- EN:
Direwolf Crown
- EN:
- id:
(#yQa808) Costumes and their Symbolism Part 1:
- id:
yQa808 titles:
- EN:
Costumes and their Symbolism Part 1
- EN:
- id:
(#4OEeeQ) Metal Bodice:
- id:
4OEeeQ titles:
- EN:
Metal Bodice
- EN:
- id:
(#cqDmcv) Costumes and their Symbolism Part 2:
- id:
cqDmcv titles:
- EN:
Costumes and their Symbolism Part 2
- EN:
- id:
(#E1EPvu) Sansa's Cape:
- id:
E1EPvu titles:
- EN:
Sansa's Cape
- EN:
- id:
(#t8U6sl) Red-beaded Weirwood Leaves:
- id:
t8U6sl titles:
- EN:
Red-beaded Weirwood Leaves
- EN:
- id:
(#ufVCVf) One final look back:
- id:
ufVCVf titles:
- EN:
One final look back
- EN:
- id:
(#iTqLn6) End of Tour:
- id:
iTqLn6 titles:
- EN:
End of Tour
- EN:
- id:
taglist:
- EN:
[]
- EN:
titles:
EN:
From Innocence to Empowerment - the significance of Sansa Stark’s costumes in Game of Thrones
Behind the scenes of the process :
leads:
EN:
In this final tour, we will take the opportunity to introduce ourselves as the authors of this project. Furthermore, we will go behind the scenes of this 3D process and further explore our reflections throughout this course.
steps:
(#ToO3Jp) About the authors :
- id:
ToO3Jp titles:
- EN:
About the authors
- EN:
- id:
(#UYYLWo) Reflection of the scholarly process - Florence:
- id:
UYYLWo titles:
- EN:
Reflection of the scholarly process - Florence
- EN:
- id:
(#pu4vVI) Looking Back: Manon's Reflection on the 3D Process:
- id:
pu4vVI titles:
- EN:
Looking Back: Manon's Reflection on the 3D Process
- EN:
- id:
(#0OVJLh) Bibliography :
- id:
0OVJLh titles:
- EN:
Bibliography
- EN:
- id:
taglist:
- EN:
[]
- EN:
titles:
- EN:
Behind the scenes of the process
- EN:
- units:
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