References Tour 3

Benjamin, W., & Jennings, M. W. (2002). Selected writings. Belknap Press.

Campano, G., Nichols, T. P., & Player, G. D. (2020). Multimodal critical inquiry: Nurturing decolonial imaginaries. In Handbook of Reading Research, Volume V (pp. 137-152). Routledge. https://www.taylorfrancis.com/chapters/edit/10.4324/9781315676302-8/multimodal-critical-inquiry-gerald-campano-philip-nichols-grace-player (you need to be on campus or logged in via UM’s VPN to access this).

Cardozo, T. M., & Papadopoulos, C. (2021). Heritage artefacts in the COVID-19 ERA: The aura and authenticity of 3D models. Open Archaeology, 7(1), 519–539. https://doi.org/10.1515/opar-2020-0147

Drucker, J. (2013). Performative Materiality and Theoretical Approaches to Interface. Digital Humanities Quarterly, 7(1). http://www.digitalhumanities.org/dhq/vol/7/1/000143/000143.html

Forlini , S & Hinrichs , U. (2017). Synesthetic visualization: balancing sensate experience and sense making in digitized print collections, In Proceedings of the conference on Digital Preservation for Social Sciences and Humanities. https://research-repository.st-andrews.ac.uk/handle/10023/11041  

Latour, B., & Lowe, A. (2011). The Migration of the Aura Exploring the Original Through Its Fac similes.

Papadopoulos, C., & Schreibman, S. (2019). Towards 3D Scholarly Editions: The Battle of Mount Street Bridge. Digital Humanities Quarterly, 13(1). http://www.digitalhumanities.org/dhq/vol/13/1/000415/000415.html

Van Dijk, T. A. (2015). Critical discourse analysis. The handbook of discourse analysis, 466-485.