4.8 Bibliography 

Tour 1


Wang, Z. (2021). From Mulan (1998) to Mulan (2020): Disney Conventions, Cross-Cultural Feminist Intervention, and A Compromised Progress. Arts, 11(1), 5. https://doi.org/10.3390/arts11010005

Li, J. (2014). Mulan (1998) and Hua Mulan (2009). In: Ritzenhoff, K.A., Kazecki, J. (eds) Heroism and Gender in War Films. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137360724_13

Meijuan, Z., Ang, L. H., & Toh, F. H. C. (2022). Hybridising the cultural identity of Mulan from a Chinese ballad to American films. Asian Journal of Social Science, 50(2), 130–136. https://doi.org/10.1016/j.ajss.2021.10.001

Chen, X. (2023). Towards a multimodal analysis for picturebook translation. In Routledge eBooks (pp. 122–138). https://doi.org/10.4324/9781032650975-7


Yuan, Z. (2020, September 17). The evolution of military system behind Mulan -- from “World Military System” to “Government Military System.” China National Defense Daily Weixin Official Account. https://mp.weixin.qq.com/s/CpyTvddcjrE6YhuwfeXSSw

Yang, T.(2018). Seeing “Fubing System” in the Northern Dynasties from the Mulan Ballad. Popular Archaeology. China Academic Electronic Publishing House. http://www.cnki.net

Zhang, Y., & Ma, L. (2021). A review of research on the government army system since the 20th century. Trends in the Study of Chinese History, 5–13. http://historychina.net/zgsyjdt/

Graff, D. A. (2003). Medieval Chinese Warfare 300-900. In Routledge eBooks. https://doi.org/10.4324/9780203206683


Song, B. (2010). Mulan’s Attire-Imagery of female costumes in the Northern Wei Dynasty. Art And Design Research, 43–48. http://www.cnki.net

Qiu, J., & Tang, W. (2013). Interpretation of the costume characteristics of Hua Mulan in the Northern Wei Dynasty. Lantai World, 102–103. http://www.shij.chinajournal.net.cn/

Qu, D. (2022). Innovative use of “Hua Mulan” cultural elements in clothing design. Culture and Design, 14(1671-1602(2022)16-0092–03), No.16. http://www.cnki.net

Ebrey, P. B. (1994). The inner quarters: marriage and the lives of Chinese women in the Sung period. Choice Reviews Online, 31(08), 7. https://doi.org/10.5860/choice.31-4502


Wang, F. (2004). Confucian thinking in traditional moral education: key ideas and fundamental features. Journal of Moral Education, 33(4), 429–447. https://doi.org/10.1080/0305724042000327984

Hu, P. S. (1996). Xiaojing yizhu (Translated notes on The book of filial piety). Beijing, Zhonghua Book Company.

Luo, S. (2012). Confucius’s Virtue Politics:Renas Leadership Virtue. Asian Philosophy, 22(1), 15–35. https://doi.org/10.1080/09552367.2012.662844

Canda, E. R. (2013). Filial Piety and Care for Elders: A contested confucian virtue reexamined. Journal of Ethnic & Cultural Diversity in Social Work, 22(3–4), 213–234. https://doi.org/10.1080/15313204.2013.843134c 

Xu, K. (2012). A Synthetic Comprehension of the Way of zhong in Early Confucian Philosophy. Frontiers of Philosophy in China, 7(3), 422–438. https://doi.org/10.3868/s030-001-012-0025-0


Amireh, A., & Boehmer, E. (1996). Colonial and postcolonial literature. World Literature Today, 70(3), 768. https://doi.org/10.2307/40042322

Ya-Li, C., & Chen, K. (2021). Appropriation, Rewriting and Alienation: A Postcolonial critique of Mulan. International Journal of Social Science Studies (Print), 9(3), 82. https://doi.org/10.11114/ijsss.v9i3.5226

Chen, G., Wang, L., Zhang, L., Li, Q., & Qi, Z. (2017, June). The Analysis of Chinese Elements in Hollywood's Movies. In 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017) (pp. 60-63). Atlantis. https://doi.org/10.2991/icesame-17.2017.15

Wang, G. (2005). Globalization and hybridization in cultural products. International Journal of Cultural Studies. https://doi.org/10.1177/1367877905052416


Tour2

England, D. E., Descartes, L., & Collier‐Meek, M. A. (2011). Gender role portrayal and the Disney Princesses. Sex Roles, 64(7–8), 555–567. https://doi.org/10.1007/s11199-011-9930-7

Maity, N. (2014). Damsels in Distress: A Textual Analysis of Gender Roles in Disney Princess Films. IOSR Journal of Humanities and Social Science, 19(10), 28–31. https://doi.org/10.9790/0837-191032831

Paula, S. I. L. (2020). THE EVOLVING REPRESENTATION OF WOMEN IN DISNEY PRINCESSES. Proceedings of English Linguistics and Literature, 2, 130-134.


Male stereotypes. (n.d.). Disney Gender Analysis. https://disneyanalysis.weebly.com/male-stereotypes.html

Manaworapong, P., & Bowen, N. E. J. A. (2022). Language, gender, and patriarchy in Mulan: a diachronic analysis of a Disney Princess movie. Humanities and Social Sciences Communications, 9(1), 1-12.

Primo, C. (2018). Balancing gender and power: How Disney’s Hercules fails to go the distance. Social Sciences, 7(11), 240.

Wiki, C. T. D. (n.d.-b). Tarzan (character). Disney Wiki. https://disney.fandom.com/wiki/Tarzan_(character)

Wiki, C. T. D. (n.d.). Beauty and the Beast (1991 film). Disney Wiki. https://disney.fandom.com/wiki/Beauty_and_the_Beast_(1991_film)


Qingli, X., & Ying, S. (2020). Female Gender Identity in the Adaptation of Disney Live-action Film Mulan. English Language, Literature & Culture, 5(3), 112.

Febrianto, D., & Setyani, T. I. (2023). RESISTANCE TO FEMALE STEREOTYPES IN THE AWang, Z. (2021, December). 

From Mulan (1998) to Mulan (2020): Disney conventions, cross-cultural feminist intervention, and a compromised progress. In Arts (Vol. 11, No. 1, p. 5). MDPI.NIMATED FILM MULAN (1998). Lingua Scientia, 30(1), 132-142.


Press, A. L., & Liebes, T. (2016). Feminism and Hollywood: Why the backlash? The Communication Review. https://doi.org/10.1080/10714421.2016.1237717

Sutherland, J., & Feltey, K. M. (2016). Here’s looking at her: an intersectional analysis of women, power and feminism in film. Journal of Gender Studies, 26(6), 618–631. https://doi.org/10.1080/09589236.2016.1152956

Arnold, A. (n.d.). Difference, Power, and Discrimination in Film and Media: Student essays (Linn-Benton Community College, Ed.). Linn-Benton Community College. https://openoregon.pressbooks.pub/dpdfilm/chapter/mulan-1998/

Barber, M. (2016). Disney’s Female Gender Roles: The Change of Modern Culture. https://indstate.openrepository.com/handle/10484/12132


Tour3

Chen, R., Chen, Z., & Yang, Y. (2021). The creation and operation strategy of disney’s mulan: Cultural appropriation and cultural discount. Sustainability, 13(5), 2751.

Amer, N. (2022). I’ll Make an American Out of You: Reflections on the Orientalism of Disney’s Mulan (1998). Textual Turnings: An International Peer-Reviewed Journal in English Studies, 4(1), 206-220.

Dundes, L., & Streiff, M. (2016). Reel royal diversity? The glass ceiling in Disney’s Mulan and Princess and the Frog. Societies, 6(4), 35.

M, I. (2022, January 5). But Why Did Disney Make Mulan in the First Place? . Fanfare. https://fanfare.pub/but-why-did-disney-make-mulan-in-the-first-place-567111f77c2b


Julia Alexander. (August 12, 2020).How much will it actually cost to watch Mulan on Disney Plus?. The Verge. https://www.theverge.com/2020/8/12/21365053/mulan-disney-plus-cost-streaming-new-trailer-churn-subscriber-premier-access


Kay McGuire.  (September 16, 2020). Mulan's 2020 Box Office Explained: Was It A Success For Disney+?. ScreenRan. https://screenrant.com/mulan-2020-movie-disney-plus-office-success-failure/


Vivian Jiang. (n.d.). Live action 'Mulan' is visually stunning and historically accurate, but lacks charm and focus.

El Estoque. https://elestoque.org/2020/09/25/entertainment/live-action-mulan-is-visually-stunning-and-historically-accurate-but-lacks-charm-and-focus/


Tina Charles. ( August 26, 2021).Mulan 1998 vs. Mulan 2020: 9 Key Differences. Fast Feed. https://www.citationmachine.net/apa/cite-a-website/confirm


Wang, Z. (2021, December). From Mulan (1998) to Mulan (2020): Disney conventions, cross-cultural feminist intervention, and a compromised progress. In Arts (Vol. 11, No. 1, p. 5). MDPI.


Chen, R., Chen, Z., & Yang, Y. (2021). The creation and operation strategy of disney’s mulan: Cultural appropriation and cultural discount. Sustainability, 13(5), 2751.

Liu, C. (2022). The Chinese and American elements of the Disney movie Mulan from the Cross-cultural Perspective. Journal of Education and Educational Research, 1(1), 99-102.

Wang, Z. (2020, July). Cultural “Authenticity” as a conflict-ridden hypotext: Mulan (1998), Mulan Joins the Army (1939), and a millennium-long intertextual metamorphosis. In Arts (Vol. 9, No. 3, p. 78). MDPI.

Wang, Z. (2021, December). From Mulan (1998) to Mulan (2020): Disney conventions, cross-cultural feminist intervention, and a compromised progress. In Arts (Vol. 11, No. 1, p. 5). MDPI.

Shophia Weng. (27, Oct, 2020). Patriarchy in Disney’s Live-Action Mulan. HARVARD POLITICS REVIEW. https://harvardpolitics.com/live-action-mulan/


Walt Disneyland World. (n.d.). Meet Mulan in China. https://www.disneyworld.co.uk/entertainment/epcot/character-meet-mulan/

Disneyland Official Site. (n.d.).Mulan's Lunar New Year Procession. https://disneyland.disney.go.com/entertainment/disney-california-adventure/mulans-lunar-new-year-procession/

Ace, S. (2024, February 2). Shanghai Disney Resort and Hong Kong Disneyland Celebrate 2024 Chinese New Year with Entertainment,. WDW News Today. https://wdwnt.com/2024/02/2024-chinese-new-year-shdr-hkdl/

Business Insider Nederland. (2020, June 25). Disney’s classic ‘Mulan’ flopped in China because audiences didn’t think the heroine looked Chinese enough. 

https://www.businessinsider.nl/disney-classic-mulan-flopped-china-audiences-didnt-think-she-looked-chinese-enough-2020-6?international=true&r=US

Wang, Z. (2021, December). From Mulan (1998) to Mulan (2020): Disney conventions, cross-cultural feminist intervention, and a compromised progress. In Arts (Vol. 11, No. 1, p. 5). MDPI. 


Benhamou, E. (2014). From the advent of multiculturalism to the elision of race: The representation of race relations in Disney animated features (1995-2009). Exchanges: The Interdisciplinary Research Journal, 2(1), 153-167.

KIMBERLIE HANER. Diversity in Disney animated films Universe Narratives. (23 Mar, 2015). https://universe.byu.edu/narratives/diversity-in-disney/

Painted-Starlight. (2018, May 31). White Princess Paradox: Where Hair Color is Considered Diversity. Tumblr. https://painted-starlight.tumblr.com/post/174443209258/white-princess-paradox-where-hair-color-is

Race in movies. (n.d.). Growing up Gendered. https://growingupgendered.weebly.com/race-in-movies.html

Tour 4  Process


Manoff, M. (2006). The materiality of digital collections: Theoretical and historical perspectives. portal: Libraries and the Academy, 6(3), 311-325. https://muse.jhu.edu/article/20022​2

Leeuwen, T. V. (2015). The Handbook of Discourse Analysis. In D. Tannen, H. E. Hamilton, & D. Schiffrin (Eds.), Wiley eBooks (pp. 448–465). https://doi.org/10.1002/9781118584194

Campano, G., Nichols, T. P., & Player, G. D. (2020). Multimodal critical inquiry. In Routledge eBooks (pp. 137–152). https://doi.org/10.4324/9781315676302-8


dariahTeach: Log in to the site. (n.d.). https://teach.dariah.eu/mod/lesson/view.php?id=854&pageid=777

Nyimbili, P. H., Demirel, H., Seker, D. Z., & Erden, T. (2016, September). Structure from motion (sfm)-approaches and applications. In Proceedings of the international scientific conference on applied sciences, Antalya, Turkey (pp. 27-30).

Shashi, M., & Jain, K. (2007). Use of photogrammetry in 3D modeling and visualization of buildings. ARPN Journal of Engineering and Applied Sciences, 2(2), 37-40.